Its also where most of the clipping can happen when you have two tracks at 100% volume. So knocking these out will allow the meaty bass sounds of your master track keep their dominance. Here you’ll find the bass-line and the kick-drums of your tune. The effectiveness of playing around with mid-range volumes depends entirely on the tracks you’re mixing with.ĭeep house and drum & bass tunes often have limited use of this region within the mix-in and mix-out zones when compared to the likes of EDM, techno and hip-hop. Generally you’ll notice less of a difference in the last 30% range compared to removing high and low frequencies but psychologically a lot of the “control” of a track sits in the middle. I would recommend only bringing in around 70% max until you’re ready to hand over dominance to the new track. Handy if the tune has some dominating audio features to it. Slowly fading in the mid range frequencies will take some of the punch out of your incoming track. Much of the vocals do also but its best to avoid vocals when mixing two tracks together, You should have completed much of your mix before the vocals kick in. The riffs, harmonies, stabs and some of the percussion like bongos and tom toms sit in this range. Letting the new track take over the dominance. Once you’ve reached around 80% volume you can start to decrease the high frequency volume of your master track. You can start with a very low volume and gradually increase during the mix-in zone. Resulting in a smoother sound that lets the percussion in your master track take president. This will reduce any percussion in your tracks, usually high-hats, snares and cymbals. Once you’ve done this its time to try your seamless mixing by making use of multiple dials and faders on your mixer. Also try playing parts of them over each other to see how good or bad they work together. You’ll know this from playing your tracks back to back. Seamless mixes work best when percussion and instruments within a track slowly build and are either in a complimentary musical key or can be overlaid without causing conflicting soundscapes. The mix-in and mix-out zones are the opening and closing parts of tracks where layers are either added slowly over the first 1 or 2 minutes, or are slowly stripped away over the last 60 seconds or so of a track. While its possible to mix musical genres you’ll usually find creating a seamless mix works best when the musical style is the same. You can often colour code them in your playlists or set ratings and comments so you know which tunes work best with others. Do the instruments and sounds in the tracks compliment each other?Īll of this comes from analysing the tunes in your record box before you try mixing them.ĭJs generally group their tracks in to complimenting groups of 3 so try to organise yours this way.Do the two tracks have ample mix-in and mix-out zones for you to play with?.There are a wealth of filters and effects that can help you seamlessly mix the tracks but there are a few things to think about first. This wont create a seamless effect and will usually just make a slightly jarring mixture of sounds, even if you’ve perfectly beat-matched the two tracks. You can’t just fade in one track over another. Bringing in the beat, the percussion and eventually the bass-line, riffs, harmonies and vocals if there are any. Your goal is to mix two tracks seamlessly together. Lets start with a relatively easy one but a mixing style that so many DJs still get wrong.
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